Jazz, Swing, Blues, Tango, Latin, Gypsy, Celtic,
Bluegrass, Classical & Dance Music For Weddings,
Corporate Events and Private Parties.

Los Angeles wedding band The Wine and Roses Band will provide your special event with a classy, enchanting, indefinable quality of music that will make your wedding, reception or event magical!

The Wine and Roses Band is a Southern California based group of professional musicians. We are experienced and passionate performers who offer affordable solo musicians, duos, and trio combinations for weddings, receptions, and ceremonies located in Los Angeles, San Diego and throughout Southern California. We are professional entertainers and musicians who work with event planners, wedding coordinators, personal clients, and brides and grooms-to-be.

Your wedding, reception or ceremony deserves to
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ceremony music in Southern California.

We are unique musicians offering a variety of music entertainment for your special event including Jazz, Classical, Acoustic, Swing, Irish/Celtic, Fiddle, Bluegrass, Gypsy, Strolling Music, Italian, Jewish, Blues, Klezmer and Dance Music.

For weddings, the band can play elegant solo violin music for the prelude and ceremony; jazz, swing, tango, latin, and bossa novas for the cocktail and dinner hour; as well as lively, crowd-engaging funk, rock, blues, latin, ska, and celtic dance music for the reception.

For corporate events and private parties, the band can play background, atmospheric music or upbeat, danceable tunes in the variety of genres represented on the MUSIC SAMPLES page.

The repertoire does not include dreaded numbers, such as “Macarena” or “The Electric Slide”, but instead focuses on tasteful, traditional styles and jazz standards. Performances, including the engaging M.C. skills of the violinist, provide an enjoyable, comfortable, stress-free environment that allows you to be a guest at your own party.

The Wine and Roses Band is dedicated to their primary goal — to give you a soundtrack for your special day, and to help you create memories that will last a lifetime.

The band’s instrumental line-up includes violin (with varying mandolin and guitar), bass, and drums. All of our musicians have studied composition and performance at prestigious music schools across the country, and have been working as professional studio musicians and performers for 15+ years.

The Wine and Roses Band has performed thousands of events across the country. Based out of Los Angeles, they regularly play in New York, Boston, San Francisco, San Diego, Portland, Seattle, Tucson, Phoenix, and Hawaii!

Their love for music from around the world surfaces in their classy and well-rounded performances, touching on tango, waltz, blues, bluegrass, swing, classical, gypsy, jazz, and celtic music.

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and Roses Wedding Band »

Ketubah Signing

The Ketubah is signed in a private ceremony with the Bride, Groom, family and the wedding party. This can actually happen at the rehearsal the evening before.

As long as the bride (Kallah) and groom (Chatan) are standing under the Chuppah (canopy), the marriage ceremony can take place almost anywhere — in a synagogue, the bride or groom’s home, in a public venue such as a hotel or even on a beach.

You can marry at any time of the day, though it is most usual to marry in the afternoon or evening. Most people choose to marry on a Sunday or a Tuesday — a particularly significant day, as this was when God blessed His creation doubly.

It is generally forbidden to get married in the 49 days between the moveable feasts of Passover and Pentecost, and during three weeks between July and August. It is also forbidden to marry on the Sabbath or on festival days. If you want to get married on a Saturday, the ceremony is not allowed to begin until after sundown.

Bedekkin - Veiling

The pre-ceremony ritual is the veiling of the Kallah (Bride). The Chatan (Groom) lowers the veil over the Kallah’s face. This custom recalls Rebecca and Issac’s first meeting when Rebecca modestly concealed her face in a veil. It also recalls the biblical story of Rachel and Jacob. Rachels father Laben substituted his elder daughter Leah, for Rachel. The Chatan lowers the veil over the Kallah to be sure not to make the same mistake Jacob did and by “dressing” his Kallah with a veil, the Chatan is assured that she is the one he has chosen, and thereby sets her apart from all others.

Suggested Prelude Wedding Music

Erev Shel Shoshanim
Adonai Sfatai Traditional
Ma’oz Tzur (Traditional Hanukkah Song) If wedding is in December.
Jerusalem of Gold
Y’did Nefesh Ani Le Dodi
Sunrise Sunset

Seating of the Grandmothers
Brides side is on the right.

The Wedding Ceremony

KIDDUSHIN - THE WEDDING CEREMONY

The Jewish wedding is called kiddushin, meaning sanctification related to the word kadosh (holy). The kiddushin is composed of two distinct ceremonies: the erusin and nisuin or nuptials.

Erusin - The Betrothal

The Betrothal ceremony has been combined in modern times with the second service nisuin. It is during the erusin ceremony that the kallah (bride) and chatan (groom) are formally and publicly betrothed to one another. A blessing over a cup of wine is said, followed by a second blessing that reminds us of the holiness of unity as well as the integrity of the bonds of marriage. Both the kallah and chatan drink from the same cup of wine, accepting life’s joys, as well as responsibilities.

Blowing of the Shofar

Baruchim Haba’im Bashem Adonai
Blessed are they who come in the name of the Lord.

Processional of the Groom, the Chatan

Groom is escorted by both his father and mother

Music:
Baruch Ha Ba Traditional
Hodu L’Adonai Ki Tov, Ki Le Olam Chas Do
Give thanks to the Lord for He is Good,
His loving kindness endures forever!

Processional of the Maid of Honor

Processional of the Bride

Jewish weddings do not use the Christian Traditional piece “Here Comes The Bride” or “The Wedding March” because it was composed by Richard Wagner.

Bride is escorted by her father and mother

*Please remain seated. It is not customary within a Jewish wedding to stand when the bride enters.

Suggested Music: Dodi Li

Enter Bride and Parents (Optional)

Suggested Music: Sunrise Sunset

Encircling of the Groom

The Bride circles her beloved seven times, taken from Jeremiah 31:22b, “a woman shall compass (revolve around, surround) a man.” Seven times is significant because of its scriptural reference of perfection and completion; the reference in Hosea 2:19-21 of God’s seven-fold betrothal to His people, Israel; the reference in Revelation 4:5 to the seven Spirits of God; and as a reflection of the Bride’s desire to be as the seven prophetesses of Israel: Sarah, Miriam, Deborah, Hannah, Abigail, Hilda, and Esther.

The position of the bride on the right side of the groom is based on an interpretation of Psalm 45:10 “the queen stands on your right hand in fine gold of ophir”. In Jewish tradition the bride is a queen, and the groom a king.

Bride and Groom Enter the Chuppah - The Wedding Canopy

The bridal canopy is a multifaceted symbol: it is a home, and a reminder of the tent of our Patriarchs.

It is open on all sides to recall the tent of Abraham and Sara, who had doors on all sides of his dwelling to welcome guests.

Entrance under the Chuppah (Wedding Canopy)

This is symbolic of the marriage coming under the Holy covering of God.

The covering represents protection, mercy, and grace.

Blessing of the Bride and Groom - Mi Adir

Groom lifts the veil to take a peek. This is to verify that she is his wife and not another, avoiding the mistake that Jacob made with Leah.

If the wedding is on Saturday Night you can incorporate Havdallah into the ceremony.

The Drashah -

The sermon or charge should be a personal message to the bride and groom by the Rabbi with challenges and commitments to the Holy One.

Exchanging of the Vows
Ring Ceremony

Music: Gadlu La Shem

Kiddush- The Blessing of the cup
Reading of the Ketubah (Marriage Contract)
The Ketubah - Certificate of Marriage

Nisuin - The Nuptials

The second part of the ceremony after the erusin is the nisuin.

This ceremony forms the second half of the wedding service. Even though the chatan and kallah are legally bound to each other as husband and wife at the completion of the eursin, the wedding ceremony is not yet complete. During this part of the ceremony, God’s presence is acknowledged in the new relationship. This acknowledgement is made by chanting seven blessings called the sheva b’rachot. Like the erusin ceremony, the sheva b’rachot are chanted over a cup of wine. After the blessing for wine, the remaining six blessings acknowledge God as the creator of the world, the creator of love and as the One who brings redemption to the world.

The Seven Wedding Blessings

If the wedding is on a Saturday Evening Havdalah can be incorporated into the wedding instead of this cup.

Kiddush- The Blessing of the cup a second time

Baruch ata Adonai, Eloheynu Melech HaOlam

Borey Pree Hagafen.

Groom Drinks then the Bride Drinks wine from the cup.

Confirmation of Covenant. After a man proposed marriage to a woman, in ancient Jewish culture, he poured a cup of wine and drank from it. If she took it and drank also that signified her acceptance and she became his betrothed.

The Pronouncement
Tallit Covering and Blessing

The Breaking of the Glass

A Traditional end to a Jewish wedding serves as a reminder of the fragility of life, even during the most joyous of celebrations. Life is fragile. We break this glass as a symbol of our past. In the theater that say go break a leg. In a Jewish wedding we break a glass. Forgiveness is an end to a shattered past. As the Groom smashes the glass everyone will shout Mazel Tov! Which means Good Fortune, may your lives here on out not be shattered, but full of fortune and joy.

Everyone responds with “Mazel Tov!”

Recessional

Music: Simon Tov, Mazel Tov or
The Wedding March Recessional by Mendleson (a Jewish Believer)

Bride and Groom
Best Man and Maid of Honor
Groomsmen and Bridesmaids
Groomsmen escorts the Bride’s Mother (Father follows behind)
Groomsmen escorts the Groom’s Mother (Father follows behind)
Groomsmen escorts the Grandmothers

Cheder Yichud - Private Room

A brief period of seclusion for the bride and groom to absorb the events of the ceremony where they spend their first moments alone together as husband and wife. Yichud has been described as a period of bonding, a time of privacy and peace before the public celebration begins. It is nice to have the room and food prepared for them as a special surprise to their private moment.

They will also break their fast before returning to the community to celebrate. The bride and groom will need about 20-30 minutes to enjoy the moment.

Grand Entrance

Welcome the Bride and Groom with a great entrance. Perhaps music leading up to the opening of the door. Bubbles blown as they have a “reverse” reception line. Everyone is lined up on each side of the path as they enter. They can greet everyone as they make their way to the dance floor for their first dance.

Seudat Mitzvah - The Festive Meal

Perhaps one of the most distinctive and enjoyable aspects of the traditional Jewish wedding is the dancing and mitzvah (commandment) to make the kallah and chatan happy. No Jewish wedding would be complete with out dancing the Hora or Lifting the bride and groom up in the chair. (This should be planned ahead of time, eight strong men should be selected to lift the chairs. They should even practice so they know how long and what to do.)

The meal begins with reciting the blessing over the wedding challah, the traditional braided bread.

After the prelude, there is generally special music for the seating of the mothers and grandmothers. A popular selection is the Canon in D by Johann Pachelbel. Then the bridal party (bridesmaids) proceeds down the aisle, followed by the bride — often escorted by her father. They arrive at the church altar where the groom, groomsmen and priest are assembled. This bridal march is accompanied by a processional tune.

For over 100 years the most popular processional has been Wagner’s Bridal Chorus from Lohengrin (1850), often called “Here Comes The Bride.” This has been historically played by an organist. Since the televised wedding of Lady Diana to Prince Charles, there has been an upsurge in popularity of Jeremiah Clarke’s “Prince of Denmark’s March” for use as recessional music, a piece that was formerly (and incorrectly) attributed to Henry Purcell as “Trumpet Voluntary”.

During the service there may be a few hymns, especially in liturgical settings. Optional solos and a short piece for the lighting of the Unity Candle may also occur. At the end of the service, the bride and groom march down the aisle to a lively recessional tune, the most popular tune being Mendelssohn’s Wedding March from A Midsummer Night’s Dream (1826). Another popular choice is Widor’s Toccata from Symphony No. 5 (1880). The ceremony concludes with an instrumental postlude as the guests depart. In the US, the most common musical instruments used for ceremony music is either a piano/organ or a string quartet, but a harpist, woodwind quintet, or classical guitar is sometimes used.